Novelists on Friendship


By LAN SAMANTHA CHANG
The Golden Notebook

By Doris Lessing (1962)

'The two women were alone in the London flat." Thus opens a series of
unflinching scenes from two years in the lives of Anna Wulf and Molly
Jacobs. These key characters in Doris Lessing's novel—a work
blisteringly truthful about money, love, politics and sex—became
friends as members of the British Communist Party. Each is divorced and
raising a child. Molly is preoccupied with the direction life is taking
for her 20-year-old son, Tommy, while the talented Anna, the author of a
best seller, suffers from writer's block. The narrative unfolds in
excerpts from Anna's journals, ultimately becoming a record of her
struggle against emotional breakdown. "The Golden Notebook" has been
variously judged a feminist treatise, a commentary on the end of
Stalinism and a cornerstone of postmodernism. All valid readings, but
the book is, for this reader, brilliant above all in its portrayal of
the subtle facets of friendship, love and self-deception—and as a
portrait of a complexly lived inner life.


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The Folded Leaf

By William Maxwell (1945)

After a near-drowning in swim class, two boys—bookish Lymie Peters, who
is saved by the fierce, athletic Spud Latham—stick together through the
rites of adolescence in 1920s Chicago. The two are inseparable even in
college, until their friendship is threatened in unexpected ways. In
this beautiful, quiet book, William Maxwell—who was for 40 years the
fiction editor of the New Yorker—observes the intricacies of loyalty
and trust. Published in 1945, long before the popularization of identity
politics, the novel creates its own haunting territory between
friendship and sexual love. Maxwell rewrote it more than a decade later
to include a revelatory scene about the young men's relationship—yet it
is Maxwell's gift for rendering the fragility of attachment that makes
this book so disarming and memorable.

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FIVE BEST
Associated Press

Mary McCarthy
FIVE BEST
FIVE BEST
The Group

Mary McCarthy (1963)

It has been nearly half a century since Mary McCarthy published this
trenchant classic about the lives of eight Vassar graduates (class of
1933). Is it possible that, decades after the sexual revolution, the
preoccupations of many educated American women are not so different from
those of McCarthy's "group"? Apparently, yes. The grads take jobs, meet
lovers and struggle into mid-life. The novel gains authority from a kind
of collective intelligence, telling us the truth about Kay Strong's
unfortunate marriage to an actor; about Priss Hartshorn's efforts to
breast-feed her baby; about Polly Andrews's affair with a married man.
The interlocking chapters work as wry commentary on class, love and sex.


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A Fine Balance

By Rohinton Mistry (1995)

This magnificent novel, set in India during the 1975 Emergency, depicts
a world in which friendship becomes a brief salvation for human beings
at the mercy of social and political oppression. Dina Dalal, a widow
struggling to maintain her independence by running a sewing business in
her apartment, hires Ishvar and Omprakash Darji, an untouchable uncle
and nephew seeking a better life. But Om and Ishvar are challenged in
their efforts to work: They are loaded onto a bus and forced to rally in
support of the prime minister; then their shanty is torn down, forcing
them to sleep on the street, where they are rounded up to do forced
labor on an irrigation project. At last, Dina permits them to stay in
her apartment, along with her boarder, Maneck Kohlah. The flowering
friendship among Dina, Om, Ishvar and Maneck forms the heart of the
book. For a brief time, the makeshift family "sails under one flag."
Dickensian in its structure and panoramic in its scope, "A Fine Balance"
reaches great heights of tragedy and absurdity, but it is never more
engrossing than in its detailed depictions of the four friends as they
cook together, eat together and share the same bathroom.


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Crossing to Safety

By Wallace Stegner (1987)

On a frosty night in Madison, Wis., in 1937, two young and hopeful
couples form a bond that carries them through the next 34 years. Larry
and Sally Morgan, talented but poor, are befriended by the wealthy and
idealistic Sid and Charity Lang. After one memorable year in Madison,
the couples and their children continue to meet in Vermont in the
summers. Over time, their life expectations are tested again and again.
Sid longs to be a poet but finds his dreams in conflict with those of
his vivacious wife. Larry's own writing is put on hold when Sally is
stricken with polio. In old age, the Morgans and Langs meet for a final
time. The wilderness of Vermont, beautiful and threatening, suffuses
their last, wrenching conversations, lending a natural mortality to this
examination of human love and frailty. "I didn't know myself well, and
still don't," Larry acknowledges. "But I did know, and know now, the few
people I loved and trusted."
—Ms. Chang is the director of the Iowa Writers' Workshop. Her latest
novel, "All Is Forgotten, Nothing Is Lost," has just been published.